"I don’t think that my work is actually effectively dealing with history. I think of my work as subsumed by history or consumed by history." —Kara Walker
New episode from Art21’s Exclusive series: An in-depth look at the creation of Kara Walker’s monumental public project for Creative Time, A Subtlety, or the Marvelous Sugar Baby (2014), at the Domino Sugar Factory in Brooklyn, NY.
I went to see this and wasn’t prepared for the amount of random inexplicable whiteness in the crowd. Here I am thinking only black folks concerned with this will be viewing this and it was a whooooooole lot of white folks. It only made me uncomfortable because I couldn’t figure out what would make them want to view it, what led them to it, and for that reason, I was positive the message would be but a whisper to them. Something they couldn’t understand at all.
Now I’m not sure what reaction she expected/wanted, but walking through the empty, haunting venue, I was annoyed that I couldn’t separate my viewing pleasure from the consuming white gaze. It was everywhere. I could barely take in the pieces of work because I was surrounded by jeering white people. Watching them consume these little black bodies and feel nothing like the sorrow that took me instantly. And then they were walking through the puddles of liquid sugar that was part of the art. Letting their children touch it. But in a way they became part of the artwork. It was like a presentation on the white gaze and their consumption of PoC.
Anywho, that shit was hard for me. I’m telling you old white couples stood by the grand ass of the mammy sphinx and smiles arm-in-arm for photos. SMILED. Hee-haw, a big ol’ butt y’all. Like the irony hurt. It hurt. Probably don’t even know what a mammy is. So yeah, the work isn’t critical of history is a sense that these oblivious people learn something. It’s kind of a product of history, or an example.
Polish designer Zuzia Kozerska has used modern technology to update a traditional household tool in a fun way by using a laser engraver to engrave fun stamp designs onto rolling pins that can then create stamped sheets of cookie dough.
The rollings pins feature a collection of small, repeating prints, most of which involve geometric patterns or animals. However, she also offers custom-made engrave pins with the customer’s design engraved onto them.
The Most Dangerous Species in the Mediterranean CREDIT: Agencia Catalan de l’Aigua Posted in March, 2011 on Visual.ly
The oceanic waters are home to many ferocious and intimidating creatures but the most dangerous of all creatures appears to be the humans. Human waste deposited into the oceanic waters can reap negative effects on the marine life in many ways.
This infographic examines the most common types of human wastes, how the waste affects the marine life, and how just how long the average lifespan of article is. Watch out for long living ferocious beasts like the plastic bottle, the tin can, and the battery.